




This was an idea I'd had for a while, I just needed an excuse to do it. (My mothers birthday present). I'd like to go on and make some more now, the most difficult part was cutting out the shapes which are printouts, glued on to mounting board, and then mat varnished. The mounting board is incredibly difficult to cut round even with a very sharp scalpel blade. I'm thinking I could use some sort of foam based product, that would be easier under the knife. Any suggestions greatly received.
I believe I posted the top half of this image way back when I started this blog. I have been so busy with commissions over the last year that haven't done much more to this project, but this last week I went back and looked at it. I had doubts about how I could make it interesting, it always felt a little self indulgent. I enjoyed imagining the faces and clothes of my ancestors, I had dates of birth, marriages, deaths and the occasional will, so drawing them was a way to make them more real to me - I just wasn't sure if any of this would be interesting to any one else. I think these uncertainty's took the wind of out my sails. I'd like to go back to it, but I think in order to have the confidence to take it forward it needs a completely new approach.

I've been working on some kids projects most of which are still to see the light of day, hence the reason why its all been very quiet both on here and my website. Above are two books for Random House, I did both the covers and inside black and white illustrations for these, there are two more in the series still to come. I've also been working on a big web project for the BBC which I believe doesnt go 'live' until October. I've been so busy I haven't had a chance to do any print making, so I have no new prints to show unfortuately.
The quality isn't great as it was too big to fit under my scanner, so I took a photo of it. This lino cut was inspired by the beautiful music of Nils Okland who plays an instrument called a hardanger fiddle.
This is my first proper attempt at using the Gocco printer I bought last year. I had to use three different screens to get the colour separations I required. As I bought the cheaper PG5 machine I struggled a little with registration, as it doesn't have a proper system to line up the paper like the more expensive PG11. However I found this didn't bother me, and like the fact that the prints aren't perfect (the one above probably lined up the best out of all of them). I want to do a series of prints - most likely in hand made book form - inspired by old photos found in charity shops and flee markets - anonymous people. The first one I have done though is from an old Daugerotype that belongs to my Aunt, we can't be sure exactly who she is, most likely Sarah Collumbell my great great great Grandmother. The first Daugerotype studio opened in Derby in July 1843.



I started a printing evening course with aim of getting to grips with screen printing. However when I started the course I found they only had a very basic set up, and the printing available would be more along the lines of lino, wood cut, dry point etc. I've really enjoyed getting back to basics, feeling that I can just experiment and not worry about the out come. The print above was done with different coloured blocks of lino. I've also bought myself a Gocco